the Arcade Fire
montreal inferno turns up heat on indie rock scene
Sean Harris
Staff Writer
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How does Canada produce so many stellar musicians? Maybe it’s the liberalism of Canadian culture. Maybe it’s the singular interaction of francophile Quebec and the Americanized western provinces. Maybe it’s just the bitter cold. What better to do than write songs and croon while the snow piles up outside? Whatever the reasons, our northern neighbor has exported yet another prodigious band to the States: The Arcade Fire.
In their freshman album “Funeral,” The Arcade Fire brilliantly blends hurt and sorrow with a sense of overcoming the pain. The group’s songwriters — the husband-and-wife duo of Win Butler and Régine Chassagne — both had grandparents pass away recently, and their grief pervades the lyrics. Beyond conveying this very real sense of anguish, The Arcade Fire also suggests that overcoming death and sadness is simply a part of life. People must move on and make the best of their situation.
At other points, the album touches on the subjects of suburban blandness and Haiti’s destitution and unrest (the Caribbean nation is Régine’s native soil). “Tunnels,” the CD’s second song, particularly focuses in on the cultural insipidity of suburbia, contrasting its cookie-cutter-character with the vibrancy of the über-cosmopolitan Montreal (the band’s hometown). The appropriately titled “Haiti” juxtaposes the stability and affluence of Canada (or, by extension, any first-world country) with the carnage and bleak poverty of the former French colony.
The Arcade Fire is at its best in “Power Out.” The song employs a mind-blowing guitar part and an incredibly catchy pop beat. More importantly, “Power Out” really reveals the passion of The Arcade Fire — especially during the emotional screams of pain that are repeated throughout.
In terms of pure listening pleasure, “Une Annee Sans Lumiere” [A Year Without Light] wins as my favorite song of the album. The tune begins smoothly, later switching abruptly to a faster, more chaotic pace that provides for an intriguing contrast.
I thoroughly recommend “Funeral” for everyone, including those who have never indulged in indie rock before. Even music novices should appreciate The Arcade Fire; their soothing, mellow sound will help overcome any aversion one may have to the avant-garde. I’m already awaiting the sophomore follow-up to “Funeral.” O Canada!
